“Take Five” is a jazz composition that transcends generations, captivating listeners with its unique structure and infectious groove. Composed by the legendary Paul Desmond for the Dave Brubeck Quartet, this iconic piece debuted on their 1959 album “Time Out,” an album designed to explore unconventional time signatures within the jazz idiom.
Desmond’s deceptively simple melody, played on his warm-toned alto saxophone, immediately grabs your attention. The tune is built around a recurring five-beat phrase, an unusual meter in jazz which was often confined to 4/4 time. This rhythmic anomaly created a sense of intrigue and propelled “Take Five” into uncharted musical territory.
The song’s structure is equally captivating: it features a distinct two-part composition with a mesmerizing AABA format. The “A” sections showcase Desmond’s soulful melody, while the contrasting “B” section allows for dazzling improvisation from all members of the quartet – Joe Morello on drums, Eugene Wright on bass, and Dave Brubeck himself on piano.
Diving Deep into the History:
While “Take Five” became a monumental success, its origins are rooted in an interesting story. Desmond initially composed the melody as part of a larger piece he titled “Blue Rondo à la Turk,” which incorporated complex time signatures inspired by Turkish rhythms. However, Brubeck saw the potential for a standalone track and encouraged Desmond to develop the five-beat phrase into a full composition.
The title itself is a play on words: Desmond’s intention was to create a piece in 5/4 time, reflecting the unusual beat structure that sets it apart from conventional jazz tunes. Interestingly, although written by Desmond, “Take Five” became synonymous with Brubeck’s name due to the quartet’s stellar performance and the widespread popularity of the piece.
The Virtuoso Quartet:
The success of “Take Five” is deeply intertwined with the musical synergy of the Dave Brubeck Quartet. Each member contributed significantly to the track’s unique character:
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Dave Brubeck (Piano): A pioneer in exploring unconventional time signatures and harmonies, Brubeck’s playing style was characterized by a melodic approach and sophisticated chord voicings. His piano solo in “Take Five” is a masterclass in improvisational fluency, seamlessly weaving between lyrical passages and complex harmonic structures.
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Paul Desmond (Alto Saxophone): Renowned for his cool and introspective sound, Desmond’s alto saxophone carried the melody with effortless grace. His tone was warm and inviting, perfectly capturing the relaxed yet captivating vibe of “Take Five.” Desmond’s improvisations were characterized by melodic clarity and a sense of restraint, contrasting beautifully with Brubeck’s more adventurous approach.
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Joe Morello (Drums): Morello was widely recognized as one of the most innovative drummers in jazz history. His performance on “Take Five” is a testament to his exceptional technical skill and ability to navigate complex rhythmic structures. Morello used a combination of brushes and sticks, creating a subtle yet driving groove that anchored the entire composition.
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Eugene Wright (Bass): Wright provided a solid foundation for the piece with his melodic bass lines, complementing both Desmond’s melody and Brubeck’s harmonic improvisations. His playing was characterized by a blend of precision and rhythmic flexibility, seamlessly adapting to the changing textures of the music.
A Lasting Legacy:
“Take Five” has become an enduring jazz standard, resonating with audiences across generations. Its influence extends far beyond the realm of jazz: it has been featured in countless films, television shows, and commercials, solidifying its place in popular culture.
The piece’s unique structure and infectious groove have inspired countless musicians to explore unconventional time signatures and embrace rhythmic experimentation. It serves as a reminder that innovation often comes from venturing outside of familiar boundaries and embracing the unknown.
Key Features of “Take Five”:
Feature | Description |
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Time Signature | 5/4 |
Form | AABA (Verse-Chorus structure) |
Melody | Simple, memorable, played on alto saxophone |
Harmony | Complex chord changes, reflecting Brubeck’s compositional style |
Rhythm | Infectious groove created by Morello’s subtle drumming |
Improvisation | Extended solos from all members of the quartet |
“Take Five,” a true masterpiece in jazz history, transcends genres and captivates listeners with its innovative spirit and infectious rhythm. Its legacy continues to inspire musicians and delight audiences worldwide, cementing its status as a timeless classic.